Reviews & FeaturesRock & Alternative

Watch Layla Clark Between the Strikes in the Jaguars’ AC/DC Halftime Clip

Near the end of the longer ‘Thunderstruck’ recording, Layla Clark turns and lifts a mallet. The bars have been the focus for most of the clip. For a moment her shoulders and the direction of her movement tell you more about the rhythm than a close look at the instrument would.

A viewer picked up on that kind of movement. The comment is a good cue for a replay: follow Clark’s posture as the rest of the Jaguars play and notice how the visual rhythm survives the spaces between her strikes.

She was rockin’ even when she wasn’t playing.

Layla Clark and the Thomas Jefferson Jaguars perform ‘Thunderstruck’.

Early in the clip, it is easy to look only at the fast notes. Once the full arrangement is underway, the front player has more room to react to what is happening elsewhere. The dancers and brass stay visible behind Clark, so the shot never feels like a studio demonstration of the riff.

Watch the point near the end when she lifts one mallet and turns sideways. The movement is clearer in the longer recording than in some of the shorter edits. If you keep your eye on the bands of yellow on the uniform, you can follow the rhythm through the change in direction.

The viewer’s comment also explains why different edits make the same footage feel different. A short excerpt favors the skill it can show in a few seconds. A longer cut lets you see how the musicians carry that energy through the passages around the opening.

Layla Clark discusses the performance with CBS Pittsburgh.

Those spaces are part of the show’s personality. The riff may be what brings a rock fan to the video. Watching what Clark does when the attention moves back to the ensemble gives them something else to notice.